Welcome back to my blog, friends! I’ve had a crazy month and a half or so of schoolwork, internship projects, and freak-outs about life that kept me from blogging regularly, but with summer on the horizon, I’m trying to get back into a nice writing routine!
Recently, I purposely made a post about my Tony nomination predictions so it was out before award announcements, and am planning on a reaction post to seeing the Broadway musical Bandstand. For now, as a nice catch-up to get the blog back in order, I wanted to do a News Worthy-esque post about recent cultural news or events that excited me!
Jessie Mueller and Joshua Henry are starring in a Broadway revival of Carousel next year. The sound that came out of my mouth when I saw this headline was not human. I love Jessie Mueller, and recently fell in love with my birthday buddy Joshua Henry through his HamJams on Instagram. I love how this is a pairing no one would have really considered in casting speculation but now that it’s happening, everyone loves it! The fact that a black man was cast as Billy in Carousel is also huge and amazing. With a My Fair Lady revival already announced for next season as well, the 2018 musical revival category is looking pretty strong.
The last semester of college has been slowly killing me as far as having energy for outside blogging, but with things quickly winding down, I’m hoping to get back into it! I have some other posts coming up, like a general catch-up and my reaction to seeing Bandstand on Broadway, but given this crazily competitive theater season and the upcoming announcement of Tony nominations on May 2, I wanted to share my predictions for the musical categories. So many shows are officially opening in the next week or so, and Tony season is also a make-or-break time for new shows to gain some traction or quietly close a month after opening (remember Tuck Everlasting last year?)
I’m still incredibly excited for all of the new musicals premiering this season, but there are some classic musicals that I think are long overdue for Broadway revivals. Growing up, we watched a lot of the popular, traditional movie musicals – Rodgers & Hammerstein, Disney live action – that really solidify your view of Broadway as a flashy song-and-dance place no matter how much you enjoy newer and more experimental musicals.
The Music Man
Last on Broadway: 2000
The last few weeks have been pretty crazy. I produced weekly news packages on my own for class, kept up on freelancing and intern duties, and – a moment I’m pretty darn proud of – interviewed Imposters star Rob Heaps for Her Campus (and have another exciting potential interview in the works!).
After keeping busy quite consistently, my “spring” break this week was very welcomed and needed. Aside from applying to “real world” jobs, I don’t have much going on this week, so I’ve found the time to get obsessed with some new things!
CBS Sunday Morning profiles
Unlike last week, today’s News Worthy is far more aligned with my typical format for the series!
Like so many others, I was so excited for the premiere of This Is Us back in September. My roommate and I even watched the first few episodes live, which, if you’ve been around here long enough, you’ll know is a privilege usually reserved for PBS dramas. After the pilot finished and that big twist was revealed, I even felt motivated to write a blog post in response (which never happened – whoops). We fell behind on watching when the semester’s work piled up, but I caught up over Christmas break and was finally convinced of the show’s power by the time I finished the mid-season finale.
I quickly fell in love with Into the Woods after seeing the film, and have become very familiar with the original Broadway cast recording. The show was revived in 2002, and what with that production hitting its 15th anniversary this year, I think another Broadway revival is well overdue.
In a new feature that I think I may keep doing because of how fun this post was, I picked some of Into the Woods’ main roles and matched them with Broadway actors I can easily envision playing the role in the near future.
Baker – Santino Fontana
I see Santino Fontana as an everyman, and the role of the Baker is that of an ordinary man thrust into this quest that’s asking so much of him. It’s hard to pick someone for this role when Chip Zien was so great in the original production, but I think Santino both fits the mold Zien set and has differences that could make his portrayal unique.
I haven’t written a post for my weekly News Worthy feature since the beginning of September, but I’d like to try and get back into it – a semi New Year’s resolution, if you will. I had a pretty busy semester in the fall, and while there are definitely more gaps in my schedule this semester (my last of college – uhh…), I feel like they’ll fill up quickly, so committing to News Worthy is a good way to write at least one post every week. Let’s see how this goes!
I finished reading Sarah McCoy’s The Baker’s Daughter last week and checked out McCoy’s website afterwards. She has a page for all of the essays she’s written over the years and this one, “Author Epiphany: I Film-Track My Novels” was great. McCoy explains that, instead of listening to music when she writes, she’s often typing with old black-and-white movies playing in the background.
Is it too early to start getting excited about all of the new releases / premieres / openings of 2017? As far as I can remember, I’ve never really known of so much stuff that excites me this ahead of the new year. Most of my list relates to the first half of the year, meaning that time should fly leading up to these dates!
1) After Anatevka
I first mentioned this in my post about seeing Fiddler on the Roof on Broadway, and after seeing the cast’s emotions online after the production closed on Dec. 31, I’m even more excited for this book to come out. Written by the revival’s Tzeitel, Alexandra Silber (who also played Hodel in the last London production), After Anatevka explores what happens to Hodel and Perchik when they’re together in Siberia. I love historical fiction, and although it is one of my favorite musicals, Fiddler on the Roof has a pretty sad second act, ending with all of the characters’ fates up in the air. Even if this book does have a grim ending, I think this is such a cool and personal project for someone like Silber to take on. The book comes out on the Fourth of July, and I’ll definitely be trying it out!
One of my biggest pleasures is reading the physical weekend papers of The New York Times. I have an online account with the Times, so when I’m at school, I check its site on a daily basis for both breaking news and feature articles. I pass its office building in Manhattan a lot, and get a bit of chill whenever I see the newspaper’s classic font sprawled above the entrance. When I’m home, going through all of the special weekend sections is the perfect way to start my day. My favorite sections include the Sunday Styles, Arts & Leisure, Travel, and Metropolitan, and I love the “What I Love,” “Sunday Routine,” and “Modern Love” series. While I obviously appreciate NYT for the hard news it covers, its profiles of people are my absolute favorite things. I’ve talked a little bit about my love of well-written profiles, and longer profiles in magazines are great, but nothing beats a short and sweet profile in The New York Times.
I was that weird twelve-year-old who had no problem watching the nearly three-and-a-half-hour long film Fiddler on the Roof. I’ve talked about my history with the musical before, but given that I’ve not watched the film in so long because of its length, I wonder what about the film made me so captivated. There’s always that one thing you love when you’re young that’s just weird or totally unexpected for your age – for me, it was probably fairly bleak movie musicals and Shirley Temple movies. It was likely the sisters’ relationship and the joyful music that hooked me.
I’ve wanted to see the most recent Fiddler on the Roof Broadway revival since I knew the production was happening. The earliest I remember hearing about it was probably winter 2015 – maybe even towards the end of 2014? I’ve followed its cast members on Instagram, watched the Broadway.com vlogs by Adam Kantor, and read or watched any tidbits related to this production.