One of my biggest pleasures is reading the physical weekend papers of The New York Times. I have an online account with the Times, so when I’m at school, I check its site on a daily basis for both breaking news and feature articles. I pass its office building in Manhattan a lot, and get a bit of chill whenever I see the newspaper’s classic font sprawled above the entrance. When I’m home, going through all of the special weekend sections is the perfect way to start my day. My favorite sections include the Sunday Styles, Arts & Leisure, Travel, and Metropolitan, and I love the “What I Love,” “Sunday Routine,” and “Modern Love” series. While I obviously appreciate NYT for the hard news it covers, its profiles of people are my absolute favorite things. I’ve talked a little bit about my love of well-written profiles, and longer profiles in magazines are great, but nothing beats a short and sweet profile in The New York Times.
I was that weird twelve-year-old who had no problem watching the nearly three-and-a-half-hour long film Fiddler on the Roof. I’ve talked about my history with the musical before, but given that I’ve not watched the film in so long because of its length, I wonder what about the film made me so captivated. There’s always that one thing you love when you’re young that’s just weird or totally unexpected for your age – for me, it was probably fairly bleak movie musicals and Shirley Temple movies. It was likely the sisters’ relationship and the joyful music that hooked me.
I’ve wanted to see the most recent Fiddler on the Roof Broadway revival since I knew the production was happening. The earliest I remember hearing about it was probably winter 2015 – maybe even towards the end of 2014? I’ve followed its cast members on Instagram, watched the Broadway.com vlogs by Adam Kantor, and read or watched any tidbits related to this production.
I’d gladly classify myself as a bit of a theater geek, so I snatched up the chance to see as much theater as possible when I studied in London last fall. In addition to seeing three musicals in my free time, I took a Shakespeare class, which included seeing three plays performed at three different London theaters.
When comparing Broadway and the West End, my winner when it comes to experience would lean towards New York, because I just think it’s on a much grander and faster scale than London. You just can’t get more theater than seeing something on Broadway.
I found London’s theater district more low-key than its American equivalent, which was a common description of London life in my experience. The people I’ve met who do find London overwhelming usually come from smaller towns or cities further away from Manhattan – meanwhile, New York City is what I grew up with, and London almost felt peaceful to me after knowing New York so well. When I was there, a lot of West End shows had Broadway duplicates, so there wasn’t much I had to see because of availability – all of the musicals I ended up seeing were also on Broadway at the time.
In the last nine years or so of regularly watching award shows, a lot of ceremonies inevitably blend together. When an Emmys ceremony once again has Jimmy Kimmel as host – or any late night comedian, for that matter – it feels like something we’ve seen one too many times. Is it because, even if it’s only happened once before, any late night host at an award show is a safe and familiar prospect? Does our (perhaps daily) habit of watching their interview or viral clips give us the feeling that we’ve seen any and all things a host is capable of?
I found Jimmy Kimmel to be a strong host of Sunday night’s 68th Primetime Emmy Awards. I’ve given up on truly critiquing an award show host simply because, in today’s TV climate, I feel that the same old jokes will be recycled, no matter who is on that stage. This leaves me with no judging system besides equating host success to few cringe-worthy moments.
No matter how old I get, the start of school is still one of my favorite times of year. It’s definitely the Hermione Granger in me, but nothing delights me more than that moment when I’ve registered for a new semester of classes and a perfectly arranged timetable appears in my student account. Returning to my campus for senior year means perks like a short walk to get iced coffee and little bumps such as the Internet not connecting in my townhouse.
However, I kicked off Wednesday morning with a visit to the IT office, so now I should have Internet access despite my location – which means more opportunities to find things for a News Worthy post!
Here we go with regularly scheduled News Worthy posts again!
Gene Wilder died at the age of 83 this week, and whenever a film icon of my childhood dies, it sort of numbs me for a while – like many others, I grew up watching Willy Wonka and the Chocolate Factory. Wilder’s death marks yet another loss from the 1960s-70s era that I see as the last period in which movie stars maintained an elusive privacy that made you see a character they were playing, not the actual actor. I just think he was so classy and really recognized the difference in today’s film industry versus the time he was most active. I found the interview below a year or two ago, and, about two minutes in, he actually touches upon how loud and unnecessarily crass today’s films can be. Wilder’s Young Frankenstein screenplay was nominated for an Oscar, and I think that detail and his remarks in this video show that he was a very selective person who really understood film.
In honor of today being my twenty-first birthday (and one year since I arrived in London for my semester abroad, but who’s counting?), I thought I’d revisit my life with a film that came out in each of the 21 years. Obviously, the older films will entail memories of watching them several years after their release, while the more recent ones may have a first-time viewing story behind them. Let’s see how this goes!
I started my News Worthy posts back in February, and posted weekly updates pretty consistently until April, when I finished school. The posts were a great way to talk about any and every thing I found interesting from that week, and it was a guaranteed addition to my blog.
Working full time this summer swept up any ambition I had to maintain News Worthy, but with the start of the school year in sight, I’m going to try to post weekly posts again. For now, I’m highlighting some recent-ish news / tidbits that was exciting to me!
I’ve spoken a lot about my love for The Last Five Years, from the original cast album to the film adaptation, so the announcement that Cynthia Erivo and Joshua Henry are starring in a TLFY benefit made my life. Like the rest of America, I’ve basically become obsessed with Cynthia Erivo through her lead role in The Color Purple revival. Joshua Henry has done several Broadway shows and will be playing Burr in the Chicago production of Hamilton this fall.
1. Bradley Whitford and Chloe Grace Moretz as Jim and Sylvia (The Vacationers, by Emma Straub)
“Families were nothing more than hope cast out in a wide net, everyone wanting only the best.”
Much like last year, the recent announcement of Emmy nominations wasn’t even on my radar. After seeing the complete list, I understand why – nearly all of the shows nominated are just not on my spectrum at all.
I was out of the country for last year’s Emmys, so maybe I’m just out of the loop about what’s the norm now, but when did these categories widen to include so many slots? Although it’s great that this allows for more deserving people to be recognized, I almost find it overwhelming, particularly with the categories for Best Comedy and Drama. Although I’m terrible at keeping up with current shows, I do like to have at least some exposure to the nominated works and their actors, and that has become increasingly difficult to do with these kind of nominations.